3D LineArt · 33 paintings · 2022–2023

3D LineArt paintings

Place
Amsterdam
Year
2022–2023
Materials
Acrylic on canvas
Design
Milan Sipek

These Paintings are the manifestation of a collaborated work pioneered by artist Milan Sipek. His partner in this endeavor is none other than virtual reality and the machine that puts the vision into reality. Each piece is but a captured moment in an ever-expanding process, where the mind of the man can better influence the metal instruments that dance to each instruction. A ball captured in painting, each step composed in tandem, its context gently phrased in text to leave space for its performance.

To achieve these results, Sipek combines various techniques, both digital and analog, in a thorough and rigorous process. He begins by designing in VR, and then uses a mechanical hand to guide the instruments that bring his vision to life. Each painting is carefully planned, with colors, patterns, and scale being considered before the process begins.

The process starts with creating a 3D model of a figure using VR glasses and software, which is then exported and edited through various desktop software before being converted into G-code to guide the movements of the CNC machine. The machine is customized with 3D printed attachments to achieve different effects on the canvas, and the process also includes preparing and loading the acrylic paint, creating a background, and filming the process.

Sipek considers the most important steps to be those that take place on the computer, where he makes decisions about the composition, perspective, and pattern density of the designs. The entire process from beginning to end takes approximately three weeks, and Sipek finds inspiration from a range of sources including his own experiences.

He works with human figures, as the natural curves of the body translate well into the 3D work that he does, and he is open to exploring other subjects.

Virtual reality A figure is sculpted as a 3D model with VR glasses and software. Desktop The model is exported and edited; composition, perspective and pattern density are decided here. G-code The traced lines become the path the machine will follow. CNC machine A paint extruder with 3D printed nozzles lays ribbons of acrylic on the canvas. Drying One to three weeks, until the acrylic sets with its relief intact.

The wall

Heading, 70 by 120 centimetres
Heading70 × 120 cm · 2023
Infatuating, 70 by 120 centimetres
Infatuating70 × 120 cm · 2023
Penning, 70 by 120 centimetres
Penning70 × 120 cm · 2023
Fleeting, 100 by 100 centimetres
Fleeting100 × 100 cm · 2023
Contending, 100 by 100 centimetres
Contending100 × 100 cm · 2023
Peeling, 100 by 100 centimetres
Peeling100 × 100 cm · 2023
Mirroring, 100 by 100 centimetres
Mirroring100 × 100 cm · 2023
Teetering, 70 by 120 centimetres
Teetering70 × 120 cm · 2022
Anguishing, 70 by 120 centimetres
Anguishing70 × 120 cm · 2022
Broadening, 100 by 100 centimetres
Broadening100 × 100 cm · 2022
Flaunting, 70 by 120 centimetres
Flaunting70 × 120 cm · 2022
Striking, 70 by 120 centimetres
Striking70 × 120 cm · 2022
Scaling, 70 by 120 centimetres
Scaling70 × 120 cm · 2022
Surfing, 100 by 100 centimetres
Surfing100 × 100 cm · 2022
Outstanding, 100 by 100 centimetres
Outstanding100 × 100 cm · 2022
Gliding, 70 by 120 centimetres
Gliding70 × 120 cm · 2022
Featuring, 70 by 120 centimetres
Featuring70 × 120 cm · 2022
Drifting, 70 by 120 centimetres
Drifting70 × 120 cm · 2022
Craving, 100 by 100 centimetres
Craving100 × 100 cm · 2022
Lamenting, 70 by 120 centimetres
Lamenting70 × 120 cm · 2022
Diving, 70 by 120 centimetres
Diving70 × 120 cm · 2022
Glancing, 70 by 120 centimetres
Glancing70 × 120 cm · 2022
Coiling, 100 by 100 centimetres
Coiling100 × 100 cm · 2022
Delighting, 70 by 120 centimetres
Delighting70 × 120 cm · 2022
Reassuring, 70 by 120 centimetres
Reassuring70 × 120 cm · 2022
Lingering, 120 by 120 centimetres
Lingering120 × 120 cm · 2022
Rising, 70 by 120 centimetres
Rising70 × 120 cm · 2022
Rambling, 100 by 100 centimetres
Rambling100 × 100 cm · 2022
Honing, 70 by 120 centimetres
Honing70 × 120 cm · 2022
Toppling, 70 by 120 centimetres
Toppling70 × 120 cm · 2022
Mothering, 100 by 100 centimetres
Mothering100 × 100 cm · 2022
Recoiling, 100 by 100 centimetres
Recoiling100 × 100 cm · 2022
Luring, 100 by 100 centimetres
Luring100 × 100 cm · 2022
1 metre. Hung to scale. A red dot marks a sold work.

In the studio

3D LineArt paintings

Questions people ask

What is the name of the plastic tip or nozzle you use to deposit paint?

Milan has designed the plastic tip or nozzle himself and prints them out using a resin 3D printer. He has created dozens of variations while experimenting with his painting process. The nozzle does not have an official name.

Are you open to commissions?

Yes, Milan is open to commissions. He works digitally, so he can consult with clients during the process before the painting begins.

What machine are you using to paint?

Milan uses a CNC machine, often used for wood cutting and carving, to deposit the paint in intricate ribbons. He has developed a paint extruder and nozzles that allow him to do so. He also has created other attachments for the machine, including scrapers, brushes, and burners, to add texture and depth to the paintings.

How did you develop the idea for using a CNC machine for painting?

While working as an architect and product designer in China, Milan had the opportunity to work with large-scale computer-aided machining. Upon his return to Europe, he used these skills to build his own machine and was free to explore its potential. At first, he attached markers to the machine, but over time, his ideas and the machine evolved into what it is today.

How long does it take for the paintings to dry completely?

The paintings take anywhere from a week to three weeks to dry completely, depending on the ambient temperature in the studio and the amount of paint deposited on the canvas. When dry, the acrylic paint turns into a rubbery material that retains some elasticity, and the texture and relief in the paint ribbons remains.

How do you create the figures for your paintings?

Milan creates the figures for his paintings using VR software. He uses a variety of programs to sculpt 3D models in a VR environment, which are then exported to desktop CAD software. The lines traced in the CAD software become the path for the CNC machine.

Where can I find your large paintings?

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